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If you look closely at the image of God bringing life to Adam in the Sistine Chapel ceiling painting by Michelangelo, you’ll see the iconic work of art is not Biblically accurate.And yet, the image of God reaching down to touch Adam, rather than breathe into his nostrils, is beautiful and true and touches the soul.Nor was Rembrandt there at the raising of Jesus’s cross, although he painted himself into the scene in Raising of the Cross, as Jonathan Merritt points out over at RNS. His painting is not merely a retelling of the factual story but a theological statement.

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Which brings us to Darren Aronofsky’s Noah, a work of art in film and a theological exploration of the ways of God and man, the likes of which have not been seen on the big screen since No Country for Old Men or The Tree of Life.(Download Noah) Anyone hoping to see merely an accurate portrayal of the few verses in Genesis is thinking too small. The movie is much bigger, much richer, and much more exciting than that.It’s the kind of movie that Christians, indeed everyone, should want Hollywood to make.Darren Aronofsky has breathed fresh life into a treasured story and made it a story everyone can enjoy and everyone can ponder.The action starts in a predeluvian world, somewhere between the Garden of Eden and present day. In style, it’s a little bit Braveheart and a little bit Lord of the Rings. Noah, his wife, and his sons live gentle lives, at peace with man and nature.

They take what they need and do their best to avoid the rest of mankind, those who would take not only what they need, but take from others as well, by force.There’s a mystical quality to this early earth: Anthony Hopkins plays Methuselah, Noah’s grandfather and the oldest recorded man in the Bible. He is wise, very wise, and a conduit for the Creator’s mystical power. Other beings also roam this early earth. They are the nephilim, heavenly creatures entrapped on the barren planet.The family of Noah stand alone in a humanity that has horribly, terribly lost its way.(Download Noah) They value life. Mankind considers it cheap. They value kindness and respect. Mankind honors only strength and power.It’s not so different, at its core, than our world now.Except that Noah has disturbing visions. He knows the Creator is speaking to him, and the message is anything but gentle: Mankind has contaminated creation. Mankind has violated everything: Earth, animals, spiritual beings, each other.It’s time to put a stop to it. God is going to send a flood.

(Download Noah) And Noah had better get ready. He is to build a refuge for the innocents, the animals. How can he restore the earth when he can’t perfect his love of his own family, especially his son Ham (Logan Lerman)?Russell Crowe does a wonderful job as Noah, a decent man tasked with a huge burden. He is tortured, yes, but resolute. Jennifer Connelly, equally resolute, becomes a lovely voice of mercy in an increasingly dark story. Emma Watson, as Noah’s adopted daughter, has a surprisingly large role. She is occasionally overwrought, but still a fine actor. Darren Aronofsky has proven himself a lyrical director in the past and this movie is no different. The images are stunning at times: when the Creator provides a forest in a wasteland with which to build the ark it not only moves the plot along but conjures images of life versus desolation,(Download Noah) renewal versus devastation, the water of life. When the rain pours and the deeps open and the waves crash, the film recalls great art such as the woodcarvings of Gustave Doré: dark, desperate bodies writing on rocks.For all the grief that has preceded this movie, there is no softening of the central story as often happens in Christian depictions of it.

The flood is not regional, not muted, not filled with smiling animals and sunny skies. It is a cataclysmic event. It is exciting and dreadful and total.The biggest surprise of the movie, besides Noah’s dark inner conflict, comes in the person of Tubal-Cain (Ray Winstone), a tribal leader determined to survive the flood by force of will. “I am man made in Your image,” he cries to the Creator as he sharpens a sword for battle, “Why do you not converse with me?”He goes on: “I give life.(Download Noah) I take life away. I am like You, am I not?” This man, this personification of the wickedness of humanity, believes in the Creator but will have his own way. He will control his own destiny.He is not unlike Satan in Paradise Lost. This is heady stuff for an action movie, and action movie it is, what with all the crashing waves and clanging swords.I was never bored in this film. I was never embarrassed because it became too corny or trite or simplistic or unprofessional. Both those happen in Christian subculture movies. But this isn’t a Christian subculture movie. It’s a mainstream movie with deep theological themes.

It is just a good movie, a good movie made for everyone, that happens to be based on a Bible story.Rated PG-13, the film has clean language and no overt sexuality, although one storyline does involve a pregnancy. The violence is not gory. The hardest thing about this film for kids is the dark thematic material: God destroying humanity. There are plenty of images of death, both in visions and in the action.(Download Noah) This may be very disturbing for some youngsters and is a good reason to limit the viewing to teens.The film differs from religious movies we all know in that the viewer doesn’t feel browbeaten at the end, forced to either accept or reject some theological point of contention. Rather, it opens questions and lets them linger. For all its talk of Creator, creation, and sin, it never preaches.Ultimately, the movie explores hope versus despair, mercy in tension with justice, second beginnings. It is dark, but the darkness makes the clearing skies all the more lovely. It is a work of art and one that I recommend seeing, for believers and nonbelievers alike.

Darren Aronofsky's "Noah" is not just one of the most ambitious films I've seen this year, it's one of the most ambitious films I've ever seen. It's a movie that is spilling over with ideas and images and emotional explorations of the metaphysical. It's a movie in which shamanic culture is part of the same tradition as fallen seraphim and blatant miracles. It tells a story that is so familiar at this point that it has no impact whatsoever and tells it in a way that is constantly pushing and challenging the viewer. Whatever your idea of the story of "Noah" is, Aronofsky,(Download Noah) along with his co-writer Ari Handel, has found a distinct and different way into it, and what he's made is going to be worth conversation all year long.One of the first things that strikes you when reading the Bible is just how much of it is concerned with lineage. Family trees are incredibly important in the Old Testament, and this film kicks off with a very simplified explanation. In the beginning, there was the garden. There was the fruit. Temptation. The snake. Cast out. Adam and Eve have three sons, Cain, Abel, and Seth. Cain and Abel take their act on the road and Seth and his descendants take care of the relationship with the Creator.

Noah is shown to be the youngest descendent of Seth at the start of the film, and he sees his father killed by Men, sons of Cain whose industrial cities have choked the planet with waste and evil.When we catch up with Noah as a man, he has three sons, and he lives off the land, away from everyone else. He and his wife Naameh (Jennifer Connelly) are happy with their humble lives and their sons. They also have a daughter they took in when they found her injured as a girl, abandoned and afraid. Her injuries left her barren, but Ila (Emma Watson) grows up as part of their family,(Download Noah) eventually falling in love with Shem (Douglas Booth), Noah's oldest son. Ham (Logan Lerman) is on the verge of becoming a man, and Japheth (Leo McHugh Carroll) is the baby of the bunch, barely in his teens. This is Noah's entire world when he witnesses a very small miracle one afternoon, presented by Aronofsky in such a small matter of fact way that Noah's not even sure what he saw. He tries to tell his wife, but he's not sure what it was, what it meant. When the Creator (the film rarely, if ever, uses the word God, instead referring to him as The Creator for the most part) speaks to Noah again, it is in a dream, and it is a horrible image, a drowned world, an ocean of dead bodies, and Noah right there with them.

He sees this as a dire warning, and he feels like he needs to reach out to his grandfather, still alive and alone on top of a mountain, because he saw his grandfather's mountain in that dream.Sir Anthony Hopkins plays Methuselah, and he lives in this striking volcanic cave in the middle of nowhere. He's not surprised to see Noah, or to hear about his vision. He mixes something for Noah, a tea that turns out to be a powerful herbal hallucinogen, and Noah is given the rest of his vision,(Watch Noah Online in High Quality) including the Ark and his mission to save the beasts of the world. Just in the way Aronofsky handles the visions that drive Noah to his mission, he sets himself apart from most Biblical films. How to show a conversation with a divine spirit in a film is a question that some great directors have grappled with, and not always successfully. I was captivated by the way Scorsese showed Christ's conversations with God as a form of seizure, a holy fit that digs into his brain, that cripples him and that lays him flat. Here, Noah's visions are clear, but they are also apocalyptic. This is the Old Testament God of wrath and fire and fury, and Aronofsky paints a bleak picture of what's to come.

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There's a scene in the middle of this film that is almost a film on its own, and in many ways, I feel like this is the film that I thought "Tree Of Life" was going to be when Malick first started talking about it. In one visually arresting time-lapse sequence, Aronofsky tells the story of the Seven Days of Creation, and he makes it abundantly clear that these days are ages, eons, massive spans of time, and each Day is a movement in the life of this planet. We watch evolution unfold and the planet slowly moves from the first life in the oceans to Noah and his family, and instead of evolution being at odds with the notion of a Creator,(Without Downloading Watch Movies Online) Aronofsky's vision reveals it as the marvelous, intricate plan of a Creator. It is an audacious hand grenade to roll into what is already a culture war right now, and I think it speaks to the serious way Aronofsky approaches the spiritual side of this story. This is, without any hesitance, the story of a man who speaks directly to his divine creator, and it is a film that explores just what it means to have faith. The dark side of that is grappled with just as much as the uplifting power of it, and I'm curious to see if people do reject this as a sober examination of spiritual matters and just get hung up on the rather remarkable surface of the thing.

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